Alexandra Hospital Franklin Lakes, NJ
Commercial
2008
The Campus Center houses the cafeteria and ties the knot between the two discreet buildings that once framed the “great lawn”; the vestigial gesture of the corporate campus. To counterpose the original idea of separation between working classes, the lawn and the eventual campus center became the symbol of a new, unified collaborative workforce.

The location is a corporate campus and the site is a prominent ceremonial lawn framed by the two massive masonry office buildings. The CEO imagined a new campus center as the virtual knot that would join the two stand-alone office buildings and unify the campus of executive management and technical staff. A cafeteria serves as social glue in realizing the objectives for loosening the aseptic culture, the sum of which translated into a re-contextualized built form.

The notion of occupying open space without compromising its openness was a compelling dialectic that bled into other dichotomous ideas of organic/synthetic, object/void, earth/roof. A process of understanding these currents took shape through models and sketches that in some cases were literally translated into the reality we see. The result is an asymmetrical composition of polygons shaped by the program and by the site contours; a complicated set of coordinates that allow the x, y and z dimensions to occur in a seeming random fashion.

Absent a front door, access into the campus center is through the grass-roofed connectors. The building as seen from the entry road is a variant of the great lawn, retained by a discontinuous folded plane that reveals a glassy slot: a point of access on a need-to-know basis. The concrete retaining walls and sod-covered roof bend and break to define the interior spatial hierarchy that is more about catering to attitudes that to function. A new typology emerges more fitting to the contemporary work culture.

A south-facing dining terrace is a metaphor for entry yet access is exclusively through the connecting concourses. Two central site walls shape and bifurcate the spaces and like the existing buildings they attempt to unite, never complete into a single closed object. Instead, they construct a light-filled figural void that indexes the contours of the circulation below and the sloping/folding of the roof plane above. What begins as a narrow slot of daylight morphs into a continuous surface of glass with a seventy-foot span.

Awards:

American Institute of Architects, Chapter Awards Pennsylvania Architectural Excellence Award – 2014
NJ Merit Award - 2013
Merit Award – 2015

American Architecture Award
Chicago Athenaeum – 2008

Read More BD Campus
Center
Franklin Lakes, NJ
2008
Alexandra
Hospital
Franklin Lakes, NJ
Commercial
2008
The Campus Center houses the cafeteria and ties the knot between the two discreet buildings that once framed the “great lawn”; the vestigial gesture of the corporate campus. To counterpose the original idea of separation between working classes, the lawn and the eventual campus center became the symbol of a new, unified collaborative workforce.

The location is a corporate campus and the site is a prominent ceremonial lawn framed by the two massive masonry office buildings. The CEO imagined a new campus center as the virtual knot that would join the two stand-alone office buildings and unify the campus of executive management and technical staff. A cafeteria serves as social glue in realizing the objectives for loosening the aseptic culture, the sum of which translated into a re-contextualized built form.

The notion of occupying open space without compromising its openness was a compelling dialectic that bled into other dichotomous ideas of organic/synthetic, object/void, earth/roof. A process of understanding these currents took shape through models and sketches that in some cases were literally translated into the reality we see. The result is an asymmetrical composition of polygons shaped by the program and by the site contours; a complicated set of coordinates that allow the x, y and z dimensions to occur in a seeming random fashion.

Absent a front door, access into the campus center is through the grass-roofed connectors. The building as seen from the entry road is a variant of the great lawn, retained by a discontinuous folded plane that reveals a glassy slot: a point of access on a need-to-know basis. The concrete retaining walls and sod-covered roof bend and break to define the interior spatial hierarchy that is more about catering to attitudes that to function. A new typology emerges more fitting to the contemporary work culture.

A south-facing dining terrace is a metaphor for entry yet access is exclusively through the connecting concourses. Two central site walls shape and bifurcate the spaces and like the existing buildings they attempt to unite, never complete into a single closed object. Instead, they construct a light-filled figural void that indexes the contours of the circulation below and the sloping/folding of the roof plane above. What begins as a narrow slot of daylight morphs into a continuous surface of glass with a seventy-foot span.

Awards:

American Institute of Architects, Chapter Awards Pennsylvania Architectural Excellence Award – 2014
NJ Merit Award - 2013
Merit Award – 2005

American Architecture Award
Chicago Athenaeum – 2008

Regional Concrete Awards
Grand Award New Jersey Concrete 45th Annual Awards - 2008

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Autretemps New Hope, PA
Residential
2000
Autretemps is a spectacular stone and glass house on 22 wooded acres between the canal and the Delaware River. From the front it presents itself as “stone boxes”—solid masses with thick walls and few punctures. On the river side, the massive stone walls peel away, allowing the structural skeleton to break loose. Columns, trusses and beams stretch out past the boundaries of spatial volumes to meet the Delaware.

Inside, the organization takes advantage of the spectacular views of the river. Living, dining and sleeping areas, which are arranged in a linear sequence, can be accessed from a prominent circulation spine and gallery that parallels the river.

The historical context of Buck’s County has been honored through metaphors including the silo, fieldstone exterior walls, post and beam timber construction, and the “corncrib” lath siding. The truss echoes the steel bridge crossing that is within view of the living room. The home has been featured in Philadelphia Magazine.

Awards:

Philadelphia Business Journal - Building Excellence Award
Autretemps Residence - 1993
Read More Autretemps New Hope, PA
2000
Autretemps New Hope, PA
Residential
2000
Autretemps is a spectacular stone and glass house on 22 wooded acres between the canal and the Delaware River. From the front it presents itself as “stone boxes”—solid masses with thick walls and few punctures. On the river side, the massive stone walls peel away, allowing the structural skeleton to break loose. Columns, trusses and beams stretch out past the boundaries of spatial volumes to meet the Delaware.

Inside, the organization takes advantage of the spectacular views of the river. Living, dining and sleeping areas, which are arranged in a linear sequence, can be accessed from a prominent circulation spine and gallery that parallels the river.

The historical context of Buck’s County has been honored through metaphors including the silo, fieldstone exterior walls, post and beam timber construction, and the “corncrib” lath siding. The truss echoes the steel bridge crossing that is within view of the living room. The home has been featured in Philadelphia Magazine.

Awards:

Philadelphia Business Journal - Building Excellence Award
Autretemps Residence - 1993